Media Archives:
- 30-second episode preview (AVI, 2Mb)
- Crusher and Ogawa prepare to insert Odan into a willing Riker.
Synopsis:
Dr. Crusher's love is put to the test when she falls for an alien who exists in different "host bodies" in order to survive.
Beverly becomes romantically involved with a Trillian ambassador who is being escorted by the U.S.S. Enterprise to mediate a dispute in the Peliar system. As the starship approaches its destination, Riker volunteers to shuffle the ambassador,
Odan, to Peliar to meet with representatives of the planet's Alpha and Beta moons, which have armed for war against each other. Shortly after Riker and Odan depart, a ship opens fire on them, critically injuring Odan and forcing their return to the U.S.S. Enterprise. Back on board, Beverly's examination of Odan indicates that a parasite is invading his body. As she prepares to remove it, she is shocked when Odan stops her, revealing that he is the parasite, and his body is merely a host. The parasite, not the body, is what must be saved.
While Beverly struggles to accept the fact that the handsome man she fell in love with is actually a small purplish lump of tissue, the Enterprise contacts the Trill for a new host body for
Odan. Unfortunately, the situation in the Peliar system cannot wait and requires Odan's immediate attention. With this in mind, Riker volunteers his body to serve as temporary host to Odan so he can complete his mission. Beverly is successful in transferring Odan into Riker's body, but cannot get used to seeing him as Riker and is unable to relate to him as a lover. Odan sadly agrees to stay away from her if his presence causes her pain.
Soon after the transfer, Riker's body begins to experience severe physical pain. Odan proceeds with the meeting anyway, and learns that Beverly's discomfort with the notion that he exists within Riker is shared by the representatives of Peliar's moons. They suspect the odd scenario may actually be a plot by Starfleet concocted to enable the organization to impose its own agenda on the Peliar situation. Luckily, Odan is able to convince the Beta representative to accept him and proceed with the negotiations, and the Alpha representative agrees to have an answer within eight hours. Later that day, Beverly arrives at Odan's quarters. Overcome by her desire for
Odan, she looks past Riker's body and falls into her lover's arms.
The next morning, as he prepares for the mediation, Odan tells Beverly that his presence has become a threat to Riker's body, and makes her promise to remove him after the meeting. The dispute is settled quickly, and Odan returns to Beverly to be surgically removed from Riker's body. The operation goes well, but Odan's own life is endangered when the Trillian ship carrying his new host body is delayed. The U.S.S. Enterprise sets off at warp speed to intercept the ship and save
Odan. As the situation becomes critical, Worf announces that the host has arrived and Beverly is dismayed when he ushers in a beautiful young woman. After she transfers Odan into the female body, she sadly explains to her lover that she cannot adjust to the constant change and uncertainty and must end their relationship. Odan accepts her decision and, after the two exchange vows of love, Odan returns to Trill.
Timothy Lynch's Star Trek: The Next Generation
Episode Reviews
Review Date: 5/11/91
WARNING: The following post contains spoiler information relevant to
this
week's TNG episode, "The Host". Those not wanting to know plot
details,
opinions, or the atomic weight of popcorn had best stop here.
Hmm...very, very, *different*. For the most part, pretty good.
No, I'm not _really_ going to give the atomic weight of popcorn. :-)
I'm really not sure how I'm going to rate this one. I guess I'll find
out
before too long, though. Here's a synop:
Beverly's life has taken a turn for the better--she's in love with
Ambassador
Odan, a negotiator of the Trill race, who's on board to get to a dispute
between two moons of a world (sorry, didn't catch the name). However, Odan
isn't quite what he seems--Troi keeps getting "fluctuations" of
emotion from
him, and when he's alone, we see..._something_...moving around in his stomach.
The trip is for the most part uneventful, marked only by Bev receiving a
bit
of ribbing from Deanna about her new flame. Once they arrive at the planet
in
question, however, things happen very fast. Odan and Riker attempt to
shuttle
down to the planet (Odan claiming he's not comfortable with transporters),
but
the shuttle is fired on. Riker manages, barely, to get it back to
the
Enterprise, but Odan is critically injured. Or rather, Odan's *host body*
is
critically injured--as it happens, the Trill are a joint species, and the
"parasite" within the host body is the true Odan.
The body dies, and a replacement host from the Trill is 40 hours away, far
longer than Odan could survive alone, even in stasis. Since Odan _might_
be
able to survive in a human host, Riker volunteers to be that host
temporarily.
The process is a little bumpy, but it works.
The aftermath is a problem, however. First, Riker/Odan must convince
both
Governor Leka and the two representatives of the factions that he's
legitimate. Secondly, Riker's body is slowly but surely rejecting Odan,
and
it's unclear how long he can last. Thirdly, Beverly is
very...uncomfortable
with this situation, particularly when Riker/Odan says he still loves her,
and
still wants her.
All three problems are resolved, more or less. Odan is accepted as
negotiator
by all three parties, and Beverly manages to accept that the man she loves
is
still there, inside Riker's body. Unfortunately, the rejection continues,
and
Odan makes Beverly swear to remove him at the end of the day's
negotiations,
regardless of whether the new host has arrived.
Fortunately, his negotiations are successful, and while Odan has to spend
a
little time in stasis between hosts, both Odan and Riker survive.
The
change of hosts, however, becomes too much for Beverly, especially when
she
finds that the new Trill host is a woman. Saying "I can't keep
up," she tells
Odan that although she still loves him and will never forget him, it's over.
Well, that should do. (I'm not sure I'm entirely pleased with the way
that
synopsis came out, but it seems accurate enough.) Now, on to some
commentary.
As I said, I'm not sure what this will end up getting. It had a lot of
good
points to be sure, and my primary opinion is positive--but it had some
rather
unpleasant elements as well.
Surprisingly, the problems were _not_ in either of Frakes's or McFadden's
performances. Considering that they are, in my opinion, two of the
weaker
performers on the show (though both are usually better than Sirtis), I was
somewhat worried that a show featuring the two of them wouldn't work well
at
all. Fortunately, I was wrong, _especially_ where Jonathan Frakes
was
concerned--as Odan, he was more interesting to watch than I've found him in
a
considerably long time.
In fact, one thing which was extremely well done was the continuity of Odan's
personality from body to body. It's easy enough to make situations like
this
fraught with unbelievable character jumps, but that didn't happen. Quite
the
contrary--I found it all TOO easy to believe that this was the same person
in
all three cases (yes, even Kareel at the end). I'm not sure who should
get
the credit for that, though--the director, or all three performers. I'll
go
with some of each, I guess.
Gates did a fairly good job as well, though not her best by any means.
(I'm not sure where her best was, but she did better in "Remember Me"
than she
did here.). Most of her scenes with Odan were pretty convincing, and
nearly
all of her scene in Ten-Forward with Deanna was excellent.
The main problems I had with the show, I guess, were one or two of the
other
scenes with her in them, though. In particular, most of the scene in
the
salon with Deanna was really, _really_ awkward for me. I don't think I
can
put my finger on anything in particular, but it all felt wrong somehow.
Maybe
it was Marina, doing one of her least interesting performances in a while
(in
that scene, that is; she was fine for the rest of the show). It felt a
little
"soapish" to me, I guess. (Some of the scene with Data in the
teaser didn't
thrill me, either--way too sitcomlike for my blood. I liked the bits IN
the
lift, but not after they left.)
Some of the scenes were extremely well done, though. The one example I
can
remember offhand is the end of the scene in 10-Forward. Bev finally
turns
around to look at Riker/Odan, and we get her head slowly turning, then a
long,
rather lingering shot of Frakes, then back to a rather teary Bev. I
don't
know why, but something about that sequence really got to me. Nice work.
Plotwise, I was happy. It was both solid _and_ interesting; I, at
least,
found the whole concept of the Trill race interesting, if unoriginal.
(The
elements of the dispute between the two moons was also interesting--using
the
planet's magnetic field as an energy source? Hmm...I like it.) No
real
complaints--they've had more interesting plots, certainly, but they've had
much LESS interesting ones as well.
One bit of the credits I don't usually pay attention to is the name of
whoever's composing the music--was this week's music person new? Much of
the
music got my attention this time. I suppose that isn't new--but it KEPT
my
attention for a while, which is a little more rare. That and the small
battle
(nice-looking ship) should kick the show upstairs a little. (It might be
a
full point were it not for the somewhat uninteresting makeup and the
REALLY
unrealistic effects in the surgery.)
I sincerely hope that the last few minutes of the show don't start a
rampaging
homosexuality debate (that's "rampaging debate", not "rampaging
homosexuality"
:-) ) on r.a.s again. While I would agree that Bev wasn't just having
trouble
"keeping up" with the changes and was probably uneasy about Odan now
being
female, I don't personally see that it's implying homophobia of any sort.
She
gave no sign of thinking it was wrong, just not right _for her_--and that
qualifier makes all the difference, methinks. (It certainly does in my
own
case--while I can't think of a single thing I find wrong with
homosexuality,
I'm simply not attracted to men. 'nuff said.) Since I'm sure there
will be
lots of discussion of this before long, I thought I'd try to head off the
flamewars at the start. Why do I have my doubts it's not going to work?
I think that's more or less everything I've got to say. This seems
shorter
than usual, but I'm in a little bit of a hurry (work to do), and I don't
really feel all that motivated to say a lot. I enjoyed it--it wasn't
perfect,
but it was very watchable.
So, with that, the numbers:
Plot: 7. Nothing special, but better than average.
Plot Handling: 8. A couple of the scenes were too awkward, but a lot
of the
rest was very nice indeed.
Characterization: 8. Hats off to Frakes, and decent performances
from
everyone else.
So, jumping it up a little as a technical bonus, that's an 8. Hmm--that's
a
little better than what I expected going in. Sounds fairly close to
right,
though.
NEXT WEEK: A rerun of "The Wounded". Sounds good to me.
Tim Lynch (Cornell's first Astronomy B.A.; one of many Caltech grad students)
BITNET: tlynch@citjuliet
INTERNET: tlynch@juliet.caltech.edu
UUCP: ...!ucbvax!tlynch%juliet.caltech.edu@hamlet.caltech.edu
Why are there so many songs about rainbows, and what's on the other side?
R.I.P. Jim Henson, 1936-1990; we
shall never see your like again.
(has it already been a year? it feels like yesterday...)
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VHS, Laserdisc and DVD availability.
Cast:
Patrick Stewart as Jean-Luc Picard
Jonathan Frakes as William Thomas Riker
Brent Spiner as Data
LeVar Burton as Geordi La Forge
Michael Dorn as Worf
Gates McFadden as Beverly Crusher
Marina Sirtis as Deanna Troi
Guest Cast:
Patti Yasutake as Ogawa
Franc Luz as Odan
William Newman as Kalin Trose
Barbara Tarbuck as Leka
Nicole Orth-Pallavicini as Kareel
Robert Harper as Lathal
Creative staff:
Director: Marvin V. Rush
Written By: Michel Horvat